I studied architecture, and not long after finishing, I stepped into a different field — designing bespoke glass lighting. What began as an unplanned direction became, over twelve years, the focus of my work. I took on projects across different countries, and with each one, refined how I approach materials, craftsmanship, and collaboration.

Over time, my interest shifted. I wanted to design more than lighting — to create objects that reflect how I think, rooted in architecture but open to experimentation. The shift was gradual, not sudden, and the direction is now clear. Blurries is where I'm building on it. With over a decade of experience and a clear point of view, I'm developing original collections that reflect the way I work: precise, considered, made for people who pay attention to detail.

Hand-blown glass has a long tradition in the Czech Republic, recognised internationally. I've worked with it for twelve years, and it still surprises me — there is always another possibility to test, another limit to push. It's a material that demands skill and patience, which is exactly why it rewards the effort. Alongside it, I work with AI, VR, and parametric 3D modelling — tools that open up new ways of thinking through a design before it's made. Blurries sits at the intersection of these: craftsmanship and technology, structure and material.

This is how I design — for people who look for meaning in materials, and precision in form.